I always see a ton of people complaining about the lack of 10-bit... but it HAS 10-bit and even 12-bit if you want to record to C-fast cards (which are cheap compared to RED media). However, we use the 4K 24P and 60P settings in 8-bit all day, every day. Straight to SD cards, which are cheap.

So much about this camera is right. The color science, the auto focus and Canon build quality. However, what we need is a 4.2..2 10 bit codec and the ability to output both this codec and the 4k 60 raw output to an external recorder. A single cFast slot is not a practical or affordable workflow.

A camera for RAW data, for professional advertising, fashion and indie films like B Camera for ARRI Alexa mini.I bought a camera recently and Im shocked!This is a very comfortable camera if you work alone or with an assistant. I only remove the Canon RAW lite. This is exactly what I was expecting.

I've enjoyed several brands of cameras as DSLR video emerged on the field, but found a real love of the C100 MkII - it was very compatible with our workflow and made event-recording so much easier.The C200 provides a natural evolution for our team -- the Dual Pixel Autofocus is game-changing.

So much about this camera is right. The color science, the auto focus and Canon build quality. However, what we need is a 4.2..2 10 bit codec and the ability to output both this codec and the 4k 60 raw output to an external recorder. A single cFast slot is not a practical or affordable workflow.

Excellent shooting capabilities. The face detection / auto focus have made my life easier. My favorite feature by far. I would however like to see a 10 Bit codec some time in the future. A nice mid range codec. I can't shoot in raw at the moment, it's too expensive! Please Canon, make it happen.

Bravo to Canon for finally listening to their customers and getting rid of the handgrip/XLR/monitor monstrosity which made the C300s so unpleasant to work with. This camera can be stripped down without loosing audio inputs.

I bought this camera believing that the gap raw to 8 bits 4:2:0 was going covered with a 2018 with a 10 bits 4:2:2 firmware ,but nothing so far, a bit disappointed but hopeful I stay with Canon but Canon also must want to stay with me.

After own this a week and shooting various projects from commercials to documentaries I feel what others are saying. When a 5DIV and 1DXII have better codec options for much cheaper really makes you wonder why they crippled this camera.

I love this camera. I really do. It fits well between the C100 Mark II and the C300 Mark II. I really wish that they added more codecs to shoot internally like the C300 Mark II. No 10 bit internal is a killer for sure.