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|Weight||2.16 lb (980 g)|
|Dimensions (DxL)||Approx. 3.23 x 6.59" (82 x 167.5 mm)|
|Filter Thread||Front:67 mm|
|Format Compatibility||Nikon FX/35mm Film
|Angle of View||34° 45' - 12° 42'|
|Minimum Focus Distance||3.28' (1 m)|
|Maximum Reproduction Ratio||1:3.57|
|Focal Length||70 - 200mm|
|Camera Mount Type||Nikon F|
|Tripod Collar||Optional Removable - rotating|
The lists of pros and cons show that the Tokina AT-X PRO FX SD 70–200 f/4 VCM-S is a really good instrument. The negatives include several positions but in fact the only serious slip-up among them is the performance against bright light.
solid and huge casing,, high image quality in the frame centre, no matter what focal lenght you employ,, good image quality on the edge of the APS-C/DX sensor,, decent image quality on the edge of full frame,, slight longitudinal chromatic aberration,, low lateral chromatic aberration at 200 mm,,...
a bit too high spherical aberration,, disastrous performance against bright light,, autofocus slower than in rival lenses,, no autofocus limiter,, modest accessory kit, worse than that of the rivals.
Really solid build, lightning quick autofocusing on my D610 - I actually thought it wasn't working before I realised if just focuses very quickly without fuss and without noise. If you listen carefully you can hear the little motors whirring away inside.