Sony PXW-FS7 XDCAM Super 35 Camera System

Model #PXW-FS7

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Specifications

General Information

Image Device Super 35mm Single-Chip Exmor CMOS
Effective Picture Elements 17:9 4096 (H) x 2160 (V)
16:9 3840 (H) x 2160 (V)
Signal-to-Noise Ratio 57 dB (Y)
Sensitivity
2000 lx, 89.9% reflectance
T14 (3840 x 2160/23.98p mode 3200K)

ISO Sensitivity
ISO 2000 (S-Log3 Gamma D55 Light source)
Minimum Illumination 0.7 lux: +18dB,23.98P,Shutter OFF,ND Clear, F1.4
Signal System NTSC / PAL
Built-in Filters Clear, 1/4, 1/16, 1/64
LCD Monitor 3.5" / 8.8 cm
Approx: 1.56M dots
Speaker Monaural
Shutter Speed 1/3 to 1/9000 of a sec
White Balance Preset
Memory A
Memory B (1500K-50000K)/ATW
Gain Selection -3, 0, 3, 6, 9, 12, 18 dB, AGC
Gamma Curve STD
HG
User
S-log3
Shooting Formats
4K 4096 x 2160
12-bit RAW

UHD 3840 x 2160
10-bit 4:2:2 XAVC-I
8-bit 4:2:0 XAVC-L

2K 2048 x 1080
12-bit Raw

HD 1920 x 1080
10-bit 4:2:2 XAVC-I
10-bit 4:2:2 XAVC-L
MPEG2 4:2:2

HD 1280 x 720
MPEG2 4:2:2
Audio Recording Format LPCM 24 bits, 48 kHz, 4 channels (Recording/Playback 2 channels)
Recording Formats
XAVC-I QFHD
MPEG-4 H.264/AVC
59.94P CBG, bit rate 600 Mb/s
50P CBG, bit rate 500 Mb/s
29.97P CBG, bit rate 300 Mb/s
23.98P CBG, bit rate 240 Mb/s
25P CBG, bit rate 250 Mb/s

XAVC-I HD
MPEG-4 H.264/AVC
59.94P VBR, maximum bit rate 222 Mb/s
50P VBR, maximum bit rate 185 Mb/s
59.94i VBR, maximum bit rate 111 Mb/s
50i VBR, maximum bit rate 112 Mb/s
29.97p VBR, maximum bit rate 111 Mb/s
23.98p VBR, maximum bit rate 89 Mb/s
25p VBR, maximum bit rate 112 Mb/s

XAVC-L QFHD
MPEG-4 H.264/AVC
59.94p/50p mode: VBR, maximum bit rate 150 Mb/s
29.97p/23.98p/25p mode: VBR, maximum bit rate 100 Mb/s

XAVC-L HD 50
MPEG-4 H.264/AVC
VBR, maximum bit rate 50 Mb/s

XAVC-L HD 35
MPEG-4 H.264/AVC
VBR, maximum bit rate 35 Mb/s

XAVC-L HD 25
MPEG-4 H.264/AVC
VBR, maximum bit rate 25 Mb/s

MPEG-2 Long GOP
CBR, maximum bit rate 50 Mbps, MPEG-2 422P@HL

XAVC-I QFHD
3840 x 2160/ 59.94p, 50p, 29.97p, 23.98p, 25p

XAVC-I HD
1920 x 1080/59.94p, 50p, 59.94i, 50i, 29.97p, 23.98p, 25p

XAVC-L QFHD 50
3840 x 2160/59.94p, 50p, 29.97p, 23.98p, 25p

XAVC-L 35
1920 x 1080/59.94p, 50p, 59.94i, 50i, 29.97p, 23.98p, 25p

MPEG-2 Long GOP
1920 x 1080/59.94i, 50i, 29.97p, 23.98p, 25p 1280 x 720/59.94p, 50p, 29.97p, 23.98p, 25p
Recording Frame Rate
XAVC-I QFHD
3840 x 2160/ 59.94p, 50p, 29.97p, 23.98p, 25p

XAVC-I HD
1920 x 1080/59.94p, 50p, 59.94i, 50i, 29.97p, 23.98p, 25p

XAVC-L QFHD
3840 x 2160/59.94p, 50p, 29.97p, 23.98p, 25p

XAVC-L HD 50
1920 x 1080/59.94p, 50p, 59.94i, 50i, 29.97p, 23.98p, 25p
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XAVC-L 35
1920 x 1080/59.94p, 50p, 59.94i, 50i, 29.97p, 23.98p, 25p

XAVC-L 25
1920 x 1080/59.94i, 50i

MPEG-2 Long GOP MPEG HD422
1920 x 1080/59.94i, 50i, 29.97p, 23.98p, 25p
1280 x 720/59.94p, 50p, 29.97p, 23.98p, 25p
Maximum Recording Time
XAVC-I mode QFHD 59.94p
When using QD-G128A (128 GB): Approx. 22 minutes
When using QD-G64A (64 GB) Approx. 11 minutes

XAVC-I mode QFHD 50p
When using QD-G128A (128 GB): Approx. 26 minutes
When using QD-G64A (64 GB) Approx. 13 minutes

XAVC-I mode QFHD 29.97p
When using QD-G128A (128 GB): Approx. 44 minutes
When using QD-G64A (64 GB) Approx. 22 minutes

XAVC-I mode QFHD 23.98p
When using QD-G128A (128 GB): Approx. 55 minutes
When using QD-G64A (64 GB) Approx. 27 minutes

XAVC-I mode QFHD 25p
When using QD-G128A (128 GB): Approx. 52 minutes
When using QD-G64A (64 GB) Approx. 26 minutes

XAVC-I mode HD 59.94p
When using QD-G128A (128 GB): Approx. 59 minutes
When using QD-G64A (64 GB) Approx. 30 minutes

XAVC-I mode HD 50p
When using QD-G128A (128 GB): Approx. 71 minutes
When using QD-G64A (64 GB) Approx. 35 minutes

XAVC-I mode HD 59.94i
When using QD-G128A (128 GB): Approx. 118 minutes
When using QD-G64A (64 GB) Approx. 59 minutes

XAVC-I mode HD 50i
When using QD-G128A (128 GB): Approx. 141 minutes
When using QD-G64A (64 GB) Approx. 70 minutes

XAVC-I mode HD 29.97p
When using QD-G128A (128 GB): Approx. 118 minutes
When using QD-G64A (64 GB) Approx. 59 minutes
XAVC-I mode HD 23.98pM/b>
When using QD-G128A (128 GB): Approx. 147 minutes
When using QD-G64A (64 GB) Approx. 74 minutes

XAVC-I mode HD 25p
When using QD-G128A (128 GB): Approx. 141 minutes
When using QD-G64A (64 GB) Approx. 70 minutes

XAVC-L mode QFHD 59.94p/50p
When using QD-G128A (128 GB): Approx. 87 minutes
When using QD-G64A (64 GB) Approx. 44 minutes

XAVC-L mode QFHD 29.97p/23.98p/25p
When using QD-G128A (128 GB): Approx. 131 minutes
When using QD-G64A (64 GB) Approx. 66 minutes

XAVC-L 50 mode
When using QD-G128A (128 GB): Approx. 262 minutes
When using QD-G64A (64 GB) Approx. 131 minutes

XAVC-L 35 mode
When using QD-G128A (128 GB): Approx. 374 minutes
When using QD-G64A (64 GB) Approx. 187 minutes

XAVC-L 25 mode
When using QD-G128A (128 GB): Approx. 524 minutes
When using QD-G64A (64 GB) Approx. 262 minutes

MPEG HD422 mode
When using QD-G128A (128 GB): Approx. 262 minutes
When using QD-G64A (64 GB) Approx. 131 minutes
Media Card Slots 2 x XQD
1 x SD (for configuration data only)
Input and Output Connectors
Audio Input
2 x 3-pin XLR
Line/mic/mic +48
Mic Reference: -40. -50. -60 dBu
SDI Output
2 x BNC HD/3G-SDI
SMTPE292M/424M/425M

HDMI 2.0
1 x Type A

USB
USB device, miniB

Headphone
1 x Stereo mini jack
-16 dBu 16 Ω

Remote
Stereo mini jack (Φ2.5 mm)
Power Requirement 12 VDC
Power Consumption Approx. 19 W (while recording XAVC-I QFHD 59.94p, SELP28135G Lens, Viewfinder ON, not using external device)
Battery Operating Time BP-U30: Approx. 1 hr while recording XAVC-I QFHD 59.94p, SELP28135G Lens, Viewfinder ON, not using external device
BP-U60: Approx. 2 hr while recording XAVC-I QFHD 59.94p, SELP28135G Lens, Viewfinder ON, not using external device
BP-U90: Approx. 3 hr while recording XAVC-I QFHD 59.94p, SELP28135G Lens, Viewfinder ON, not using external device
Temperature Operating: 32 to 104°F / 0 to 40°C
Storage: -4 to 140°F / -4 to 140°C
Dimensions (WxHxD) 6.14 x 9.41 x 9.72" / 156 x 239 x 247 mm
Weight 4.4 lb / 2.0 kg: Body Only
9.9 lb / 4.4 kg: Body, Viewfinder, Eyepiece, Grip Remote Control, BP-U30 Battery, SELP28135G Lens, an XQD Memory card
User Reviews
B h photo.34921152
13 October 2018
4.0/10

The camera works quite well, but the viewfinder came loose on the 1st day of its first job. The clam that holds the viewfinder to the rod came loose. 2 issues: 1 - It's not a thumb screw so you'll need a tool to loosen it (Nice for being on set with producer staring at you) and 2: The screw STRIPPED...

B h photo.34921152
27 December 2015
10/10

I purchased this camera to have a tool able to film both corporate and short film productions. For the corporate needs, this is an amazing camera to work with. Looks professional, is professional. For the short film production at first I was a bit concerned about how it performs with low light.

B h photo.34921152
2 October 2015
8.0/10

The FS7 is by far the best camera I have owned and I have owned a lot. Great images, easy to use especially in cineEI mode. On the down side, the ergonomics are a little awkward, the XQD cards and Sony batteries are over priced and the menu system needs some work.

B h photo.34921152
21 December 2015
10/10

I reviewed this product a year ago, this is an update. While I use the camera for daily jobs, I also used the FS7 to shoot a feature film (Providence). I shot in 4K CINE-EI SLOG3 exclusively, with a 4 person crew.

B h photo.34921152
17 December 2015
10/10

I waited until a year after this camera was released to purchase it. I really wanted to see if it would live up to the hype. I can safely say, it does. This is the most excellent video camera I have ever used. The image is gorgeous, the specs are amazing, and overall performance is top notch.

B h photo.34921152
27 March 2018
8.0/10

I came from a C100 mark 2 (still like Canon Cine cameras) and the Sony is really impressive. I will say there is some learning curve and some very deep menus to master. It's worth it though. Many choices on configuration.

B h photo.34921152
16 January 2018
10/10

Other reviewers have said it all. Just wanted to add my voice here. This camera is amazing! But there is a little gem out there for those who shoot SLog3 like I do. A German videographer took the time to match his FS7 with his Arri Amira and create LUTs matching the two.

B h photo.34921152
2 April 2017
10/10

This camera does everything, the image quality is beautiful, i love shooting on Slog 2 and Slog 3. Slow motion is stunning. I have an FS7 mark 2 as well, and let me tell you something: the improvements were just all right, now with these two cameras I feel I can conquer the world...

B h photo.34921152
23 March 2017
10/10

We purchased this camera early this year and I have got to say I love it. We make documentaries and need to be comfortable shooting all day; which this camera solves. It also allows us to make more commercial narrative content without much of a trade off.

B h photo.34921152
19 December 2016
10/10

Last year, this was the camera I was waiting for, and it was well worth the wait. PROS: good ergonomics and balance with the XDCA unit and an Anton Bauer style battery. Great multifunctional handgrip. And a user friendly cinema mode that shoots excellent 10 bit SLog3.

Product Highlights
  • Super 35 Sized CMOS Sensor
  • Sony E-Mount
  • UHD Up to 60 FPS, HD Up to 180 FPS
  • 4096 x 2160 Via External Recorder
  • XVAC-I, XVAC-L, MPEG-2
  • XVAC-I Up to 600 Mb/s
  • Dual XQD Memory Card Slots
  • Dual HD/3G-SDI & HDMI Output
  • Ergonomic Handgrip with Camera Controls
In The Box
  • Sony PXW-FS7 XDCAM Super 35 Camera System
  • Body Cap
  • Viewfinder
  • Eyepiece
  • Grip Remote Control
  • Wireless LAN USB Module (IFU-WLM3) for Sony VPL-E200 Series Projectors
  • Wireless Remote Commander (RMT-845)
  • WA Adaptor Bracket
  • MPA-AC1 AC Adapter for EVI D100 CCD Camera
  • BC-U1 Battery Charger
  • BP-U30 Lithium-Ion Battery
  • 2 x Power Cord
  • USB Cable
  • CD Rom with Manuals
  • Limited 1-Year Warranty Parts, 90-Days Labor
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