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|Power Consumption||18 W|
|Battery Type||Sony BP-U Series|
|Power Connectors||1 x Barrel (19.5 VDC) Input|
|Recording Modes||XAVC-I 4:2:2 10-Bit:
4096 x 2160p at 23.98/24/25/29.97/50/59.94 fps (240 to 600 Mb/s)
3840 x 2160p at 23.98/25/29.97/50/59.94 fps (240 to 600 Mb/s)
1920 x 1980p at 23.98/25/29.97/50/59.94 fps (89 to 222 Mb/s)
XAVC-L 4:2:0 8-Bit:
3840 x 2160p at 23.98/25/29.97/50/59.94 fps (100 to 150 Mb/s)
XAVC-L 4:2:2 10-Bit:
1920 x 1080p at 23.98/25/29.97/50/59.94 fps (35 to 50 Mb/s)
|Still Image Support||Not Specified by Manufacturer|
|Gamma Curve||HDR-HLG, S Cinetone, Sony S-Log, Sony S-Log 3|
|Audio Recording||AVC-Intra: 2/4-Channel 24-Bit 48 kHz LPCM Audio
AVC-Long: 2/4-Channel 24-Bit 48 kHz LPCM Audio
|Other I/O||1 x BNC Timecode Input/Output
1 x USB Type-C
1 x USB Micro-B
1 x 2.5 mm Control
|Video Connectors||1 x BNC (12G-SDI) Output
1 x HDMI Output
|Wireless Interfaces||2.4 GHz, 5 GHz Wi-Fi|
|Audio Connectors||2 x 3-Pin XLR Mic/Line Level Input
1 x 1/8" / 3.5 mm Stereo Headphone Output
|Sensor Resolution||Actual: 12.9 Megapixel
Effective: 10.2 Megapixel
|Shutter Type||Rolling Shutter|
320 to 409,600 (Expanded)
|Gain||-3 to 30 dB|
|Advertised Dynamic Range||15 Stops|
|Weight||2 lb / 890 g|
|Dimensions||6 x 4.6 x 4.5" / 153 x 116 x 114 mm (Without Protrusions)|
|Raw Output||SDI/BNC In Raw Mode:
4096 x 2160 16-Bit at 23.98/24/25/29.97/50/59.94 fps
3840 x 2160 16-Bit at 23.98/25/29.97/50/59.94 fps
|EVF||Optional, Not Included|
|Storage Temperature||-4 to 140°F / -20 to 60°C|
|Operating Temperature||32 to 104°F / 0 to 40°C|
|Resolution||1280 x 720 (2,760,000 Dot)|
|Display Type||Included External Touchscreen LCD|
|Variable Frame Rates||DCI 4K: 1 to 60 fps
UHD: 1 Up to 120 fps
1080p: 1 Up to 240 fps
|Interchangeable Lens Mount||None|
|Lens Mount||Sony E-Mount|
|Shutter Speed||1/1 to 1/8000 sec|
|Built-In ND Filter||1/4 to 1/128 Stop Electronic ND Filter|
|Built-In Microphone Type||Stereo
|Media/Memory Card Slot||Dual Slot: CFexpress Type A / SD|
You don’t get something for nothing in this world, so the Sony FX6 is not just a cheaper FX9 with all the same spec. For professional cinematographers, the more expensive FX9 has the appeal of a 6K sensor that’s oversampled to get the recording down to 4K.
Most affordable full-frame cinema camera ever, Advanced Alpha hybrid AF, 10-bit 4:2:2 4K/120p and 240fps HD!
No internal Raw recording or EVF, No built-in image stabilisation, CFexpress Type A cards expensive and uncommon
Sony has made a solid, feature-rich cinema camera in the FX6. The variable ND is a great feature and it can practically see in the dark. We hope that the move to a full-frame cinema camera spreads to other brands and Sony has given them a high bar to reach for.
Excellent image quality and ease of use. Terrible screen support, I ended up going the Zacuto route with excellent results and have stoped using my FS7 except for American jobs where I need to shoot NTSC which unfortunately the FX6 doesn't really do.
I bought the FX6 about 6 months ago and it is a great camera. I guess the frustration is the amount of extortionately expensive extra bits you need to run it in a shoulder rig with V lock batteries, lens etc but once I got that sorted and added a Sony FE4 28-135 it created a great gun and run...
A joy to operate.No XLR on body, the weak monitor hinge and lack of the A7siii's autofocus being the only minor complains about an otherwise awesome camera.
Amazing professional quality from this simple to use camera.
I have been using my FX6 for almost a year now and Its almost perfect. so easy to use, Incredible face detection AF and that built in ND makes this a brilliant camera. I just wish there was an Audio Jack on the body, Maybe Sony can make an adapter from the handle connector?
Overall is very good product. all i say is its worry free camera. you will have peace in mind when you in doing your job.
A step up from my FS7 with much better colour and increased image quality
The FX6 was my first Cine camera having been shooting on the alpha series for 5 years.Understandably using it the first time was a little daunting. So many features I hadn't yet had experience with and also hearing reviews of the cluttered menu.
I love shooting proxies simultaneously and this cameras audio channels don't connect in premiere making the proxies useless because premiere wont even let you attach them. This adds many hours to my editing work flow which could be changed with an update.
It could have been the perfect Cam - nobody ever mentioned it - the af and eye af works great but where is the object tracking feature - I love this feature so much in my a7iii and couldnt find it on the FX6 - I wrote the support and they told me it is implemented - didn't find it - it's such a game...