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|Transducer||Permanently Biased Condenser|
|Polar Pattern||Cardioid and Omni-directional|
|Frequency Response||20-20,000 Hz|
|Dynamic Range (Typical)||5000 ohm: 131dB
2500 ohm: 125dB 1000 ohm: 120dB
|Signal-to-Noise Ratio||80dB S/N ratio is the difference between 94dB SPL and equivalent SOL of self-noise A-weighted|
|Maximum Input Sound Level||5000 ohm: 145 (160, 170)dB
2500 ohm: 139 (154, 164)dB 1000 ohm: 134 (149, 159)dB
|Power Requirements||+48 VDC Phantom Power|
|Output Impedance||150 ohms (actual)|
|Output Connectors||Balanced XLR|
|Pad||0dB, 15dB or 25dB Pad switch|
|Low Frequency Roll-Off||Flat; -6dB/octave below 115Hz; -18dB/octave below 80Hz|
|Dimensions||6.325 x 0.950" (162 x 24mm) (L x Diameter)|
|Weight||6.9 oz (195 grams)|
I am a man of few microphones. I somehow get by on the kindness of friends who seem to not mind leaving their mics in my possession for months at a time. So I was certainly pleased to have a pair of Shure KSM141 s show up at my door.
I bought a pair of these to mic my acoustic guitars in my home studio. They work very well together in that role, with one aimed roughly at the 12th fret and the other toward the bridge. It takes some tinkering around to find the "sweet spot," but it's there.
Sound quality, durability, ease of use
Limited to instrument recording -- but does a very good job in that role.
natural uncolored sound
This is one of the few microphones that I have used that work excellent on both the kick and snare. A friend brought a pair of these to a drum session, we experiemented with the KSM141 and the Microtech Geffell M930 witch ended up not being able to handle the snare.