- All Products are New and from Manufacturer Authorized Retailers
- 30 day return policy
No Additional Fees
|Transducer||Externally Polarized 25mm (1") Condenser|
|Frequency Response||20Hz - 20kHz|
|Dynamic Range (Typical)||>114dB (per IEC651, IEC268-15)|
|Signal-to-Noise Ratio||>80dB (1kHz rel 1Pa; per IEC651, IEC268-15)|
|Maximum Input Sound Level||128dB SPL (@ 1% THD into 1k ohms)|
|Power Requirements||+48V, +24V Phantom Power|
|Output Impedance||40 (ohms)|
|Output Connectors||3-pin XLR-female|
|Low Frequency Roll-Off||12dB / octave, -3dB @ 120Hz|
|Dimensions||6.57 x 1.97" (167 x 50mm) (Length x Diameter)|
|Weight||1.3kg (577g) mic only|
I was going back and forth between waiting for the PodMic or getting the Procaster or SMB7. After watching a bunch of videos comparing them as well as other podcasters setups, I decided to go with the Procaster...and it hasn’t disappointed. I’m really impressed with the build quality and the sound.
Perfect pickup range. Smooth natural sound. No need for extra gain on the front end if using the right set-up. Using a Zoom F8 with 8 mics (7 dynamic) and an F control. Plenty of volume! No problem with noise. Setting the high pass between 80--120.
We launched a new podcast with these mics, along with the Rode ProCaster. We were shocked at how the products made our new podcast sound like we had been doing shows for years with really high end or costly equipment. I went back and bought one more for a third option.
Use this with my Rodecaster Pro. Main podcast mic. No regrets. Sounds great. Not too heavy.
I went from a cheaper podcast-friendly mic to this one and the difference is incredible. Depending on your voice and mic positioning, plosives may still be an issue, but that can be easily solved with the windscreen that can be purchased as well.
I am the host of a short show on PBS in NJ. I had been recording my voice-overs at the filmmakers studio using the recorder in his camera. I decided for convenience to buy a microphone, recorder and earphones to record the voice overs at home and send the filmmaker the sound clips via the internet.
First off...I would have given 5 stars...but, I haven't spent much time behind it in various sessions and applications. Build quality, internal shockmount and pop filter, price, reputation and a simple but useable carrying case, all make this mic a steal. Out the box this thing is a beast!
I bought this microphone for recording voiceovers for my church's radio program. The quality of the sound is excellent and the microphone does a great job of excluding background noise. The output is rather low, so I use a FETHEAD to bring it up.
I bought the Rode Procaster to pair with my Rodecaster Pro. It is seamless. The Rodecaster Pro has built in settings for this mic so it lies all the presets for you. Love the Pro sound i get from this mic
This is a very serious mic for the money. Sounds great and is built like a tank. I wasn't expecting a mic in this price range to be as good as it is. Have only used it for voice-over, but so far it sounds very good.