Rode Broadcaster - Condenser Microphone
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|Transducer||Externally Polarized 25mm (1") Condenser|
|Frequency Response||20Hz - 20kHz|
|Dynamic Range (Typical)||>114dB (per IEC651, IEC268-15)|
|Signal-to-Noise Ratio||>80dB (1kHz rel 1Pa; per IEC651, IEC268-15)|
|Maximum Input Sound Level||128dB SPL (@ 1% THD into 1k ohms)|
|Power Requirements||+48V, +24V Phantom Power|
|Output Impedance||40 (ohms)|
|Output Connectors||3-pin XLR-female|
|Low Frequency Roll-Off||12dB / octave, -3dB @ 120Hz|
|Dimensions||6.57 x 1.97" (167 x 50mm) (Length x Diameter)|
|Weight||1.3kg (577g) mic only|
This broadcast mic is right up there with the SM7B in my opinion. The build quality is awesome, made to last, looks and works absolutely great for the two months that I have used it.
Perfect pickup range. Smooth natural sound. No need for extra gain on the front end if using the right set-up. Using a Zoom F8 with 8 mics (7 dynamic) and an F control. Plenty of volume! No problem with noise. Setting the high pass between 80--120.
I was going back and forth between waiting for the PodMic or getting the Procaster or SMB7. After watching a bunch of videos comparing them as well as other podcasters setups, I decided to go with the Procaster...and it hasn’t disappointed. I’m really impressed with the build quality and the sound.
Use this with my Rodecaster Pro. Main podcast mic. No regrets. Sounds great. Not too heavy.
We launched a new podcast with these mics, along with the Rode ProCaster. We were shocked at how the products made our new podcast sound like we had been doing shows for years with really high end or costly equipment. I went back and bought one more for a third option.
I am the host of a short show on PBS in NJ. I had been recording my voice-overs at the filmmakers studio using the recorder in his camera. I decided for convenience to buy a microphone, recorder and earphones to record the voice overs at home and send the filmmaker the sound clips via the internet.
I went from a cheaper podcast-friendly mic to this one and the difference is incredible. Depending on your voice and mic positioning, plosives may still be an issue, but that can be easily solved with the windscreen that can be purchased as well.
I bought this microphone for recording voiceovers for my church's radio program. The quality of the sound is excellent and the microphone does a great job of excluding background noise. The output is rather low, so I use a FETHEAD to bring it up.
First off...I would have given 5 stars...but, I haven't spent much time behind it in various sessions and applications. Build quality, internal shockmount and pop filter, price, reputation and a simple but useable carrying case, all make this mic a steal. Out the box this thing is a beast!
This is a very serious mic for the money. Sounds great and is built like a tank. I wasn't expecting a mic in this price range to be as good as it is. Have only used it for voice-over, but so far it sounds very good.
- Large Diaphragm Condenser
- Includes Mount
- Rode Broadcaster Condenser Microphone
- Stand Mount for NTK/NT1000 & Condenser Microphones
- ZP1 Zip Pouch
- Limited 1-Year Warranty (Extendable to 10 Years When Registered)