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|Box Dimensions (LxWxH)||9.685 x 4.646 x 2.835"|
|Package Weight||0.6 lb|
|Signal to Noise Ratio||69 dB|
|Maximum SPL||127 dB SPL 1%|
|Impedance||100 ohms +/- 30% @ 1 kHz|
|Sensitivity||-40 dB @ 1 kHz, re: 1 V/Pa|
|Power Requirements||48 V|
|Operating Current Consumption||2.0 mA|
|Output Connectors||3-Pin XLR|
|Frequency Range||160 Hz to 20 kHz|
|Weight||3.81 oz (108 g)|
|Diameter||0.83" (21 mm)|
|Length||6.38" (162 mm)|
I find the sound quality on this mic is very similar to the Rode VideoMic Pro. I would say save some money and get the Rode mic unless you need this Panasonic one specifically for the XLR input.
This mic is okay, but I think it's over priced. I've used cheaper mics that do a better job than what this does. It doesnt seem to be able to pick up sound from a reasonable distance compared to other one's I've used.
For what it is the price is a little high. Sound is great so mission accomplished.
This mic is a perfect match for my HVX-200. Mounts on the camera nicely, with furnished hardware from the camera. I found the sound quality excellent for field use, and works nicely on a boom as well. Perhaps its only weakness is the isolation mounting when on the camera.
I use this mic to shoot adventure and sports documentaries as well as commercials. It works better outdoors than indoors, however, as it picks up a lot of sound (including and not limited to very very low electrical sounds at times).
Is the AG-MC200G best on camera mic I have every used? No. But it does a pretty good job. The thing I really like is that it fits perfectly into the Panasonic AG-DVX200 camera mount which leaves the cold shoe and other mounts open for other accessories.
Works great, fits the camera nicely.
I love the quality of this product.
Excellent sound, easy to set-up and use.
I used It as a back up on a Short Film and It was really helpful. Audio operator always has issues on the rush, So we gave it (audio channel to editing suite and costumer appreciate it, they said thank you so many times I think I did a good job!