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Home > More Categories > Music Gear > Keyboards & MIDI

Novation Bass Station II

Model: Bass Station II

Novation Warranty
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Novation Bass Station II
Novation Bass Station II
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    Product Description
    Bass Station II is an analog mono-synth with a talent for bass, but a sound-engine that is versatile enough to kick out sharp leads and crisp arpeggios. It brings the best elements of the original Bass Station into a brand new design with re-worked modulation, effects, filters and more; like the Bass Station, but much much bigger.The signal path is pure analog - including the effects section. The hardware has been laid out in modules with dedicated pots, switches, sliders and buttons for all major parameters. Critically, you can store and recall patches on Bass Station II. It comes with 64 killer factory presets, space for 64 of your own sounds on the hardware, and you can store more on your computer.The key-mechanism consists of 25 full sized keys that are velocity sensitive with assignable aftertouch. It has been developed as a ˜synth-action' keyboard, where each key is individually sprung so it is light to the touch and highly responsive to the synth engine. Bass Station II is a fully class compliant MIDI device with MIDI I/O on 5 pin din ports - for connecting to other MIDI outboard - and can interface with your computer over USB.The Synth Engine: A Brief OverviewOscillators: Bass Station II is built on three analog oscillators and a noise generator. There are two fully independent oscillators plus a sub oscillator (which is the critical component in creating rich, analog bass sounds). Oscillators One and Two are switchable between sine, sawtooth, square and variable pulse width, and Oscillator Three - the sub osc - can be set to one or two octaves below Oscillator One. It can be square, sine or narrow pulse width, delivering the characteristically ˜fat' bass tone.Filters: You can select between two discrete filters - ˜Acid' or ˜Classic' - each with a built in overdrive for pushing filter tones from dry, to warm, to nasty! The ˜Classic' Bass Station filter can be switched between low pass, high pass and band pass at 12 or 24dB slopes. The ˜Acid' filter is based on a diode ladder filter design that delivers a characteristically 303-esque sound that is designed to squelch!Effects: Bass Station II has two effects (not including the filter overdrive). Analog distortion drives circuit components to add new frequencies to the sound. Bass Station II's Distortion function can add gentle warmth, filthy granularity and anything in between. The second effect is ˜Osc Filter Mod' which creates a distinctive FM-type sound by using Oscillator Two to modulate the filter frequency. This is very good at crunchy, sound-mulching effects that substantially fatten up bass and lead patches.Modulation: There are two envelope generators and two low frequency oscillators (LFOs). The first envelope is an ADSR amp envelope and the second is a mod envelope that can be used to modulate filter frequency, oscillator pitch and osc pulse width. LFO One is dedicated to pitch modulation whereas LFO Two is used to modulate osc pulse width and filter frequency. Although it looks like there are four LFO waveforms, the ˜LFO Slew' function can be used freely to sculpt LFOs into smoother wave-shapes.Arpeggiator and step sequencer: Bass Station II's Arpeggiator and Step Sequencer are killer performance and production tools. The Arp can be directed to run through 32 different rhythmic patterns in different directions with a switchable octave range. The fun really starts when you engage the Step Sequencer. Up to four sequences can be played in - with legato and rests - and assigned to any one of the 32 rhythmic patterns. As well as getting ideas down quickly and programming performance sequences, this is a brilliant way to preview patches while you are editing them.
    • SYNTH ENGINE
      Oscillators
      Osc 1
      Osc 2
      Sub Osc (3)
      Noise generator
      Osc 1 & 2
      Select between waveforms:
      sine
      triangle
      sawtooth
      square/variable pulse width
      Features
      Sync 1 & 2
      Detune
      Octave range
      Pitch bend
      Pitch modulation to Mod Envelope and LFO 1
      Pulse width modulation to Mod Envelope and LFO 2
      Sub Osc (3) which is tracked to Osc 1
      Select independently between waveforms:
      Sine
      Square
      Narrow pulse
      Features
      All modulation and tuning tracked to Osc 1
      Independent octave select
      MIXER
      Osc 1 level
      Osc 2 level
      Sub Osc level
      Noise generator level
      Ring modulation depth
      External signal level
      FILTER
      Two filter types
      Acid type (diode ladder filter design)
      Classic type (derived from original Bass Station)
      Features
      Cutoff
      Resonance
      Overdrive
      Filter frequency to Mod Envelope depth
      Filter frequency to LFO 2 depth
      Select 'Classic' filter between:
      Low pass
      Band pass
      High pass
      12dB slope
      24dB slope
      ENVELOPES
      Two ADSR Envelopes (Attack/Decay/Sustain/Release)
      Amp Envelope
      Mod Envelope
      Combined control of both Envelopes
      Select triggering mode between:
      Single trigger (holds envelope state when new note is played)
      Multi trigger (re-triggers with every new note played)
      Autoglide (engages portamento)
      There is also a VCA limiter
      LFO
      Two LFOs each selectable between:
      Triangle
      Sawtooth
      Square
      Sample and hold
      Both LFOs independently adjustable between rate and delay time
      Key sync LFO 1 & 2
      LFO slew on LFO 1& 2 (low pass filter on the LFO waveform)
      EFFECTS
      Distortion send
      Oscillator filter mod amount (FM effect created by Oscillator 2 modulating filter freq)
      ARPEGGIATOR
      Up to 32 different patterns
      Select between 1-4 octave range
      Swing function
      Select direction:
      up
      down
      up / down 1
      up / down 2
      As played
      Random
      Latch (hold the arpeggiator)
      STEP SEQUENCER
      Up to four sequences
      Assign one of 32 preset rhythms or create your own
      insert rests or legato (slide)
      Sequencer re-trigger function
      PORTAMENTO
      Adjust glide time
      Single trigger or re-trigger modes
      Integrate into step sequencer and arpeggiator
      HARDWARE & CONTROLLER ASSIGNMENT
      25 note synth-action keyboard
      Aftertouch can be assigned to modulate:
      ? Filter frequency
      ? LFO 1to Osc pitch
      ? Osc 2 speed
      Pitch wheel
      Modulation wheel can be assigned to:
      ? LFO 2 to filter frequency
      ? LFO 1 to Osc pitch
      ? Osc 2 pitch
      Octave up/ down buttons
      64 factory presets
      64 slots for user patches (and patch dump facility for storing more)
      Master volume dial
      INPUTS AND OUTPUTS
      USB MIDI (for connecting & powering Bass Station II via host computer)
      Mono output on 1/4" TRS jack
      Headphone output on 1/4" TRS jack
      External input on 1/4" TRS jack
      Sustain pedal input on 1/4" TS jack
      MIDI IN / MIDI OUT ports on 5 pin din
      DC power input
      Switch between power off / DC powered / bus powered
    • Analog synth: brand new version of the classic Bass Station
    • Two distinct analog filters: brand new "Acid" filter joins the "Classic" original Bass Station filter
    • Bass Station II ships with 64 factory patches and a further 64 user slots
    • Patch dump enables you to archive and swap sounds
    • Pattern-based Step Sequencer and Arpeggiator
    • Analog synth layout includes dedicated controls for all major parameters
    • Two Oscillators plus an additional Sub Oscillator
    • Analog effects section: Bass Station II includes fully analog distortion and filter-modulation effects and a separate filter overdrive to add an aggressive, crunchy sound-quality
    • Flexible modulation featuring 2 Envelopes and 2 LFOs
    • MIDI I/O and USB connectivity
    • Players 'synth-action' keyboard with aftertouch