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korg Korg Kronos 61 Key Music Workstation with SGX-2 Engine, Kronos System Version 3.0, 20Hz-22kHz Frequency Response, 95dB Dynamic Range
Model: KRONOS6
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Specifications
General Information
| Keyboard | 61-key Natural Touch Semi Weighted |
| Synthesis Method | SGX-2 Premium Piano (Acoustic Piano) EP-1 MDS Electric Piano (Electric Piano) HD-1 High Definition Synthesizer (PCM) AL-1 Analog Synthesizer (Analog Modeling) CX-3 Tonewheel Organ (Tonewheel Organ Modeling) STR-1 Plucked String (Physical Modeling) MOD-7 Waveshaping VPM Synthesizer (VPM Synthesis) MS-20EX Component Modeling Technology (Analog Modeling) PolysixEX Component Modeling Technology (Analog Modeling) |
| Maximum Polyphony | SGX-2: 100 voices EP-1: 104 voices HD-1: 140 voices AL-1: 80 voices CX-3: 200 voices STR-1: 40 voices MOD-7: 52 voices MS-20EX: 40 voices PolysixEX: 180 voices |
| Preset PCM | 314MB (ROM 1,505 Multisamples, 1,388 Drumsamples) |
| Build-in Expansion PCM Libraries | EXs1 - ROM Expansion EXs2 - Concert Grand Piano EXs3 - Brass and Woodwinds EXs4 - Vintage Keyboards EXs5 - ROM Expansion 2 EXs6 - SGX-1 German D Piano EXs7 - SGX-1 Japanese C Piano EXs8 - Rock Ambience Drums EXs9 - Jazz Ambience Drums EXs17 - SGX-2 Berlin D Piano EXs18 - KORG EXs Collections |
| PCM RAM Capacity | Approximately 2GB |
| Wave Sequences | 598 User memory, 187 Preload Support for stereo multisamples, synchronization of individual notes and tempo-based settings |
| SGX-2 Program: Premium Piano | Virtual Memory Technology (VMT) plays large samples directly from the internal SSD Full key stereo sampling, Chromatically sampled at up to 12 velocity levels, no looping Damper resonance and mechanical noise are reproduced Modeled String Resonance. Una Corda sample support |
| SGX-2 Program: PCM | EXs6:SGX-1 German D Piano EXs7:SGX-1 Japanese C Piano EXs12:SGX-1 Austrian D Piano (Option Sound libraries) 8 velocity levels, no Una Corda samples EXs17:Berlin D Piano 12 velocity levels, includes Una Corda samples |
| SGX-2 Program: Piano Type | 64 (With the factory settings, the 16 varieties of EXs12 SGX-1 Austrian D Piano do not produce sound The EXs12 option must be downloaded.) |
| SGX-2 Program: Oscillator Control | Damper Resonance Damper Noise Mechanical Noise Note Release String Resonance Una Corda |
| EP-1 Program: MDS Electric Piano | Tine and reed-type electric pianos powered by Multi-Dimensional Synthesis (MDS) and vintage effects |
| EP-1 Program: Electric Piano Model Types | Tine EP I, Tine EP II, Tine EP V, Tine EP DMP, Reed EP200, Reed EP200A |
| EP-1 Program: Oscillator Control | Harmonic Sound Level, Attack Noise, Level, Release Noise Level, Attack Brightness, Hammer Width |
| EP-1 Program: Panel Control | Tine Type Preamp Volume, Tone (Treble, Bass), Vibrate (On/Off, Intensity, Speed), Amp/Cabinet (On/Off, Drive) Reed Type Preamp Volume, Tone (Treble, Bass), Vibrate (Intensity, Speed), Amp/Cabinet (On/Off, Drive) |
| EP-1 Program: Effect Types | Small Phase, Orange Phase, Black Phase, Vintage Chorus, Black Chorus, EP Chorus, Vintage Flanger, Red Comp, VOX Wah |
| HD-1 Program: Advanced Vector Synthesis | Control oscillator volumes and synthesis & effects parameters via the Vector Joystick and the tempo-synchronized Vector Envelope |
| HD-1 Program: Structure | Single: only OSC1, Double: OSC1 and OSC2 Double mode lets you layer two completely separate synth voices, each with their own velocity-switched oscillator, dual filter, EGs, LFOs, etc Drums: One drum kit, Double Drums: Two drum kits |
| HD-1 Program: Oscillators | Virtual Memory Technology (VMT) plays large samples directly from the internal SSD 8 velocity zones per oscillator, with switching, crossfades and layering Each zone can play mono or stereo Multisamples or Wave Sequences |
| HD-1 Program: Filters | Two multi-mode filters per voices (low-pass, high-pass, band-pass and band-reject), Four-mode filter routings (single, serial, parallel and 24dB mode) |
| HD-1 Program: Driver | Per voice non-linear driver and low boost circuit |
| HD-1 Program: EQ | Three bands, with sweep-able mid |
| HD-1 Program: Modulation | Three envelope generators, two LFOs per voice, common LFO, four key tracking generators, AMS (Alternate Modulation Source), two AMS mixers |
| EXi Program: Advanced Vector Synthesis | Control oscillator volumes and synthesis & effects parameters via the Vector Joystick and the tempo-synchronized Vector Envelope |
| EXi Program: Modulation | Common Step Sequencer, AMS (Alternate Modulation Source), Common LFO, 2 Key Tracking Generators |
| EXi Program: EQ | Three bands, with sweep-able mid |
| AL-1 Program: Oscillators | Ultra-low-aliasing oscillators OSC1, OSC2, Sub-oscillator and noise generator; ring modulation, FM and Sync |
| AL-1 Program: Audio Input | External audio can be processed through the ring modulator, filter, driver, amp and EQ |
| AL-1 Program: Filters | Two multi-mode filters (low-pass, high-pass, band-pass and band-reject) with four types of filter routings (single, serial, parallel and 24dB mode) Multi Filter mode (only Filter-A; modulatable mix of Low Pass, High Pass, Band Pass and dry input, for creating a wide variety of unique filter types and effects) |
| AL-1 Program: Driver | Per-voice non-linear driver and low boost circuit |
| AL-1 Program: Modulation | Five Envelope generators, four per-voice LFOs, two AMS Mixers; Per-voice Step Sequencer |
| CX-3 Program: Tonewheel Organ Modeling | Phase-synchronous tonewheels (clean and vintage modes), percussion, key click, wheel brake |
| CX-3 Program: EX Mode | Four additional, user-specified drawbars and expanded percussion |
| CX-3 Program: Internal Effects | Rotary speaker, vibrato/chorus, amp modeling with overdrive, 3-band EQ |
| CX-3 Program: Drawbar Control | Controlled via nine front-panel sliders (via Tone Adjust) |
| CX-3 Program: Split | Upper, Lower (even in EX mode) |
| CX-3 Program: Modulation | Two AMS mixers |
| STR-1 Program: Physically Modeled String | Includes physically modeled damping, decay, dispersion, nonlinearity, harmonics, dual pickups and more Most string parameters can be controlled in real-time |
| STR-1 Program: String Excitation 1 | Three independent excitation sources can be used simultaneously: Pluck, Noise and PCM 16 preset pluck" types, with modulatable width and randomization. Noise generator with saturation and dedicated low pass filter PCM Oscillator: KORG's ultra-low-aliasing technology, as introduced in the HD-1 4 velocity zones per oscillator |
| STR-1 Program: String Excitation 2 | Uses any mono Multisamples, including ROM, EXs, User Sample Bank or Sampling Mode Supports Virtual Memory Excitation Filter: Dedicated 2-pole multimode filter for shaping the string excitation Filter can be enabled/disabled separately for each excitation source Low Pass, High Pass, Band Pass and Band Reject modes |
| STR-1 Program: Audio Input and Feedback | Run real-time audio through the string, including feedback through effects Modeled feedback includes modulate-able instrument-to-amp distance and orientation |
| STR-1 Program: Filters | Dual multi-mode filters per voice; Single, Serial, Parallel (with split stereo output) and 24dB (4-pole) configurations. Low Pass, High Pass, Band Pass and Band Reject modes Multi Filter Mode (Filter A only) Modulatable mix of Low Pass, High Pass, Band Pass and dry input, for creating a wide variety of unique filter types and effects |
| MOD-7 Program: VPM Synthesizer | Combines Variable Phase Modulation (VPM), Waveshaping ring modulation, PCM sample playback and subtractive synthesis; Able to convert-load SYX files |
| MOD-7 Program: Oscillators | 6 VPM/Waveshaper/Ring Modulation Oscillators: Phase and modulatable pitch per oscillator 101 Waveshaper tables plus modulatable Drive and Offset Use as oscillators or as Waveshapers or Ring Modulators for other signals PCM Oscillator: KORG's ultra-low-aliasing technology, as introduced in the HD-1 4 velocity zones per oscillator Uses any mono Multisamples, including ROM, EXs, User Sample Bank or Sampling Mode. Supports Virtual Memory |
| MOD-7 Program: Audio input | Run real-time audio through the VPM Oscillators and filters |
| MOD-7 Program: Filters | Dual multi-mode filters per voice. (Low Pass, High Pass, Band Pass and Band Reject modes) Two types of filter looping (Parallel and 24 dB 4-Pole") Multi Filter mode (Filter A only): Modulatable mix of Low Pass, High Pass, Band Pass and dry input, for creating a wide variety of unique filter types and effects |
| MOD-7 Program: Patch Panel | Supports both preset algorithm (78 types) selection and free patching Three 2-in, 1-out mixers for scaling and merging audio, fully modulatable, with phase inversion Main 6-input stereo mixer, with modulatable pan and volume, plus phase inversion |
| MOD-7 Program: Modulation | 10 Envelopes, 4 per-voice LFOs, 9 Key Tracking generators, Per-voice Step Sequencer, 4 standard AMS Mixers plus 4 simple AMS Mixers |
| MS-20EX Program: Oscillators | Ultra-low-aliasing oscillators; VCO1, VCO2, Ring Mod, Pink and White Noise Generator |
| MS-20EX Program: Audio Input | Run real-time audio through the synthesis engine and ESP (External Signal Processor) |
| MS-20EX Program: Filters | 12dB/octave High Pass and Low Pass self-resonant filters ESP section: 24dB/octave Low Cut and High Cut filters, available per voice |
| MS-20EX Program: Patch Panel | Patchable audio and modulation, at audio rates |
| MS-20EX Program: Patch Points 1 | Keyboard: Keyboard CV Out, Keyboard Trigger Out, VCO1+VCO2 CV In, VCO2 CV In VCO: VCO1+VCO2 External Frequency Control In, VCO1 Out, VCO2 Out VCF: External Signal In, External HP Filter Cutoff Frequency Control In, External LP Filter Cutoff Frequency Control In, HPF Out, LPF In, LPF Out VCO+VCF: Total External Modulation In EG: EG1 Envelope Signal Normal Out, EG1 Envelope Signal Reverse Out, EG1+EG2 Trigger In, EG1 Trigger In, EG2 Envelope Signal Reverse Out |
| MS-20EX Program: Patch Points 2 | MG: Triangle Out, Rectangle Out Noise Generator: Pink Noise Out, White Noise Out Sample and Hold: Clock Trigger In, Sample Signal In, S/H Out Modulation VCA: Control Voltage In, Signal In, Signal Out Manual Controller: Control Wheel Out, Momentary Switch ESP: Signal In, AMP Out, BPF In, BPF Out, F-V CV Out, Envelope Out, Trigger Out Others: EXi Audio In, Mixer 1 In, Mixer 1 Out, Mixer 2 In, Mixer 2 Out VCA: External Initial Gain Control In, VCA In |
| MS-20EX Program: ESP | Use incoming audio as a trigger and/or CV source |
| MS-20EX Program: Modulation | Original DAR (Delay, Attack, Release) and HADSR (Hold, Attack, Decay, Sustain, Release) EGs 1 &2, Original MG (with MIDI sync), Sample-and- Hold, MVCA, KRONOS: 4 additional multi-stage Envelopes, 4 additional per-voice LFOs and 4 AMS Mixers |
| PolysixEX Program: Oscillators | VCO: Saw, Pulse, PWM ub Oscillator: Off, 1 octave below, 2 octaves below |
| PolysixEX Program: Filter | 24dB (4-Pole) Octave Low Pass self-resonant filter |
| PolysixEX Program: Effects | Integrated Polysix Chorus, Phaser and Ensemble |
| PolysixEX Program: Arpeggiator | Integrated MIDI-synced arpeggiator, with adjustable Range, Mode and Latch |
| PolysixEX Program: Modulation | Polysix: Original ADSR EG and MG (with MIDI sync) KRONOS: 2 additional multi-stage Envelopes, 2 additional per-voice LFOs and 4 AMS Mixers |
| Combination: Number of Timbres | 16 Maximum |
| Master Keyboard Functionality | Keyboard and velocity splits, layers and crossfades of up to 16 Programs and/or external MIDI Devices Tone adjust parameter function modifies program settings and the master keyboard function controls external MIDI devices |
| Combination: Advanced Vector Synthesis | Control oscillator volumes and synthesis & effects parameters via the Vector Joystick and the tempo-synchronized Vector Envelope |
| Drumkit: System | Assignable stereo/mono samples with 8 velocity zones per oscillator (with crossfade functions) |
| User Memory Programs | 2,560 (1,792 [896 HD-1+896 EXi] come preloaded) |
| User Memory Combinations | 1,792 (512 come preloaded) |
| User Memory Drum Kits | 264 (78 come preloaded) 256 GM Level2 preset programs + 9 GM Level 2 drum preset programs |
| Number of Set Lists/Slots | 128 set lists, 128 slots per set list Each set list provides a 9-band graphic EQ and a Tone Adjust function that allows program settings to be adjusted Transpose setting Hold Time setting of Smooth Sound Transition (SST) supported for each slot |
| Sampling: System | Open Sampling System (resampling, In-Track sampling) |
| Sampling: Bit Depth/Sampling Frequency | RAM: 16-bit/48 kHz stereo/mono sampling DISK: 16 or 24-bit/48 kHz |
| Sampling: Sampling Time | RAM: Depends on the amount of available PCM RAM DISK: Maximum 80 minutes stereo (879MB: 16bit) |
| Sampling: Sample Locations | 16,000 samples/4,000 multisamples (128 indexes per multisample) |
| Sampling: Ripping | Direct sampling (ripping) from audio CD (CD-DA) |
| Sampling: Formats | KORG format, AKAI S1000/S3000 data (with advanced Program parameter conversion); SoundFont 2.0, AIFF and WAVE formats |
| Sampling: Editing | Time Stretch, Time Slice, Crossfade Loop and other standard editing features. |
| Effects | Insert Effects: 12, stereo in/stereo out Master Effects: 2, stereo in/stereo out Total Effects: 2, stereo in/stereo out Timbre EQ: One 3-band EQ for each timbre/track Effect Types: 197 Modulation: Dynamic modulation and common LFO Effects Control Busses: Stereo side-chaining for compressors, gates, vocoders, etc. Effect Presets: Total 783 preset, maximum 32 per effect (preset user) |
| KARMA Modules | One module in Program mode, four modules in Combination and Sequencer modes |
| KARMA: Generated Effects (GE) | 2,048 presets, 1,536 Users (96 come Preload) |
| KARMA: Controllers | On/Off, Latch, Chord, Assign, Module, Control, KARMA Real-time Control Sliders [1] [8], KARMA Scene [1] [8], KARMA Switches [1] [8], KARMA Wave-Sequencing, GE Sub Category, Freeze Randomize, Time Signature Control, Tempo Synchronize, Auto RTC (Real Time Control) setup |
| KARMA: Drum Track Patterns | 718 preset (common with the preset patterns of the MIDI sequencer) 1,000 user patterns Patterns created in Sequencer mode can be converted to drum track user patterns Trigger Mode/Sync/Zone settings can be specified |
| Sequencer/HDR: Tracks | 16-track MIDI sequencer + 16-track hard disk recorder + 1 master track |
| Sequencer/HDR: Number of Songs | 200 songs |
| Sequencer/HDR: Resolution | 1/480 |
| Sequencer/HDR: Tempo | 40.00 300.00 (1/100 BPM resolution) |
| Sequencer/HDR: Maximum Memory | 400,000 MIDI events or 300,000 audio events |
| Sequencer/HDR: MIDI Tracks | 16 tracks plus the master track 718 preset/100 user patterns (per song) 18 preset/16 user template songs |
| Sequencer/HDR: Audio Tracks | 16-track playback, 4-track simultaneous recording, WAV file format 16bit/24bit. |
| Sequencer/HDR: Other Functions | RPPR (Real-time Pattern Play and Record) (1 Pattern set per song), Auto Song Setup function |
| Disk Mode | Load, save, utility, audio CD burning, audio CD playback, data filer function (save/load MIDI System Exclusive data), CD-R/RW (UDF format read/write), ISO9660 Level |
| Controllers | Vector joystick, joystick, ribbon controller, switches 1 & 2 Control Surface: Control Assign Switches: Assigns the Control Surface to Timber/Track, Audio, External, Real-time Knobs/KARMA, Tone Adjust/EQ Mixer Knobs Switch: Assigns the Mixer Knobs to either Channel Strip or Individual Pan, Reset Control Switch, Solo Switch, Knobs 1-8, Switches 1-8(Upper Row), Switches 1-8 (Lower Row), Sliders 1-8, Master Slider KARMA Control: On/Off, Latch, Module Control RUM TRACK: On/Off |
| Display | TouchView graphical user interface, 8 inch color TFT, SVGA (800x600 dots), adjustable brightness |
| Outputs 1 | Analog: (MAIN) L/MONO, R: 1/4" TRS Balanced Output Impedance: 350 Ohms Stereo; 175 Ohms Mono (L/MONO Only) Nominal Level: +4.0 dBu Maximum Level: +16.0 dBu (when load impedance is 600 Ohms or greater) MAIN VOLUME knob controls only AUDIO OUTPUT (MAIN) L/MONO and R Individual 1-4: 1/4" TRS Balanced Output Impedance: 350 Ohms Stereo; 175 Ohms Mono Nominal Level: +4.0 dBu Maximum Level: +16.0 dBu (when load impedance is 600 Ohms or greater) |
| Outputs 2 | Headphones: 1/4" stereo phone jack, Output impedance: 33 Ohms, Maximum Level: 60+60 mW (when load impedance is 33 Ohms) MAIN VOLUME knob (link with AUDIO OUTPUT (MAIN)) Digital: S/P DIF: Optical, 24-bit, IEC60958, EIAJCP-1201, Sample Rate: 48 kHz, (the same signals as L/MONO, R) Digital output of the same signals as AUDIO OUTPUT (MAIN) L/MONO and R USB-B: 24-bit, Sample Rate: 48 kHz, 2 channels (Digital output of the same signals as AUDIO OUTPUT |
| Inputs 1 | Analog: Audio Inputs 1 and 2: 1/4" TRS Balanced MIC/LINE input level switches, LEVEL knobs Input Impedance: 10 kOhms Nominal Level: LINE +4 dBu (LEVEL knob = min), 36 dBu (LEVEL knob = max) Nominal Level: MIC 22 dBu (LEVEL knob = min), 62 dBu (LEVEL knob = max) Maximum Level: LINE +16 dBu (LEVEL knob = min), 24 dBu (LEVEL knob = max) |
| Inputs 2 | Maximum Level: MIC -10 dBu (LEVEL knob = min), 50 dBu (LEVEL knob = max) Source Impedance: 600 Ohms Signal to noise ratio: 95 dB (typical) Dynamic range: 95 dB (typical) Crosstalk: 95 dB, at 1 kHz (typical) Digital: S/P DIF: Optical, 24-bit, IEC60958, EIAJCP-1201, Sample Rate: 48 kHz USB-B: 24-bit, Sample Rate: 48 kHz, 2 channels |
| Control Inputs | Damper pedal (half damper supported), assignable switch, assignable pedal |
| MIDI | In, Out, Thru |
| USB | 2x USB A (TYPE A), For connection to external USB devices (QWERTY keyboards, MIDI controllers, ethernet adaptors and storage) 1x USB B (TYPE B), MIDI/audio interface MIDI: 1 (16 channel) input / 1 (16 channel) output Audio: 2 channel input / 2 channel output |
| Disk Drives | 60GB SSD (2.5") Optional installation of second internal SSD |
| Power Consumption | 60W |
| Frequency Response | 20Hz-22kHz, +/-1.0dB, 10kOhms load |
| THD+N | 20Hz-22kHz, 0.01%, 10kOhms load (typical) |
| S/N | 95dB (typical) |
| Dynamic Range | 95dB (typical) |
| Crosstalk | 95dB, at 1kHz (typical) |
| Dimensions (W x D x H) | 40.94 x 14.33 x 5.28" / 103.99 x 36.40 x 13.41cm |
| Weight | 31.53lbs / 14.30kg |
Expert Reviews
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Presented at the NAMM 2011 and already available since this summer, the Kronos represents a new step in the workstation market — a cruel world where every product becomes immediately obsolete as soon as the successor is launched.
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Sound quality and versatility, Incredible overall performance, Simultaneous multiple synthesis, Dynamic voice management, Well thought-out design, Inaudible transition between programs, Size of the internal memory, Samples streaming (SGX-1 piano banks), Modulation possibility at every stage, Very...
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... because it turns too complex to be easy to use, Boot time should be shorter, No real hardware pads, The RAM of the sequencer and the limitation to 16 MIDI tracks, Some checkboxes are too small on the display, No streaming for user samples (yet), No wind instruments (brass, woods) modeling (yet)
User Reviews
I use the Kronos as a music workstation. I play some guitar but decided to upgrade an older midi keyboard. I am blown away by the quality, the interface, and the capabilities. Even though I am just a music hobbyist I was able to start jamming along nicely thanks to the drum track available for any...
This is an amazing product. Korg has done it again. A 16 track midi sequencer, sampler AND a 16 track audio recorder all in one package. With the exception of only having two inputs for audio recording, you really can't ask for anything more. Can't wait to see what Korg comes up with next.
Im the Keyboard player in Grupo Love secreto from Chicago Illinois. Its an excelent piece of gear and it really does the job when it comes to do midi routings and its user friendly. Great sampler, great update from previous korg workstations.
im a korg user from x5d, x50, m1, trinity, triton, triton extreme, m3. After a while i switched to yamaha motif series from the classic to XF. And my secondary board is a fantom G.
I can't speak as an experienced keys player. If you don't have much experience with synthesizers (as I didn't when I bought this), you will definitely have to put in a good amount of time researching and learning about the Korg Kronos. I did just that, and I couldn't be more pleased.
This is my 2nd Kronos 2 that i purchased through Sweetwater not including a Kronos 2 73 Key model i own, If not one of the best keyboards you can own, tons of functionality and expansions for this and plenty of Ram for sampling my own sounds.
This is my desert island, if I only have one, keyboard for every situation. I started with the original Kronos 61, the upped to a Kronos 2 73. Now I've added the Kronos 2 61. The original stays in my home studio. The 2 Kronos 2's make a great live setup, covering every sound.
The good: Nine engines to work with. Each with their own polyphony. Being able to design your own sounds from the ground up using different synth engines is great. Sound quality for these engines are fantastic.
The Kronos is a home run keyboard packed with outstanding piano, organ, synth and pads. I also have a Kronos 88, both are the current version 2 running OS 3.0.4. With multiple synth engines and up to 200 voices, these are hard to beat as a primary keyboard.
I owned a first generation Kronos 61 several years ago and loved it. For financial reasons I sold it. Since then Ive gone back and forth with gear. I decided to dive back into Kronos after buying a Minilogue and King Korg and fell deeply in love with both.
- Size: Size 61-Key
- Type: Workstation Keyboard
- Korg Kronos 61 Key Music Workstation
- AC Power Cable
- Quick Start Guide
- Accessory DVD Disk
- Korg 1 Year Parts and Labor Warranty
