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|Body Back||Laminated Maple|
|Body Sides||Laminated Maple|
|Body Top||Laminated Spruce|
|Body Finish||Matte Urethane|
|Bracing||Parallel Tone Bars|
|F Holes Sound Holes||Dual "F" Holes|
|Body Depth||2.75" / 6.99cm (70 mm)|
|Body Width Lower Bout||16" / 40.64cm (40.64 cm)|
|Number of Frets||20|
|Position Inlays||Pearloid Block|
|Nut Width||1.6875" / 4.29cm (42.8 mm)|
|Scale Length||25.5" / 64.77cm|
|Neck Binding||Bound Fingerboard|
|Pickup Configuration||Single Pickup|
|Neck Pickup||Gretsch SingleCoil|
|Controls||Master Volume, Master Tone|
|Bridge||Synchromatic HeightAdjustable Rosewood|
|Bridge Cover||"Harp" Shape Tailpiece|
|String Nut||Synthetic Bone|
|Unique Function||Vintage Wide Pearloid Block Inlay Position Markers, 1940s Synchromatic Headstock Shape, Black Headstock Overlay, Pearloid Vintage Gretsch Logo Headstock Inlay, Bound Fingerboard, Multiple Body Bindings, "f" SoundHoles, Streamlined Faux Tortoise Shell Pickguard, Volume and Tone Controls Mounted in Pickguard, Knurled Strap Retainer Knobs, Adjustable Truss Rod|
Excellent tone! The laminated woods in this guitar are actually an asset--minimal feedback, greater strength, and still great tone. For this guitar I prefer the blond and sunburst finishes, as the nice F holes are harder to see in the black finish. Wonderful choice for the arch-top enthusiast.
The money and effort they put into Gretsch styling cues and trying to make the tuners look like faux Waverly butterbean tuners with stamped engraving on the plates would have been better spent getting the bridge to fit so it would at least sound decent off the rack.
Been playing 35 years. Also own a '52 Epiphone Zephyr Regent and a Larrivee LS-30 Classical. Overall, I love the sound and feel of this guitar. It's a cool guitar for Django-style music or acoustic Country guitar. I compared this guitar to a bunch of older Harmony's.