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|Power Connectors||1 x 4-Pin XLR (12.0 VDC) Input1 x D-Tap Output|
|Recording Modes||XF-AVC 4:2:2 10-Bit: 4096 x 2160 up to 60 fps 3840 x 2160 up to 60 fps 2048 x 1080 up to 168 fps 1920 x 1080 up to 60 fps 1920 x 1080 at 50, 59.94 fps XF-AVC 4:4:4 12-Bit: 2048 x 1080 up to 60 fps 1920 x 1080 up to 60 fps XF-AVC 4:4:4 10-Bit: 1920 x 1080 up to 60 fps XF-AVC 4:2:0 8-Bit: 2048 x 1080 up to 60 fps ProRes 4:2:2 10-Bit: 4096 x 2160 up to 30 fps 3840 x 2160 up to 30 fps 2048 x 1080 up to 168 fps 1920 x 1080 up to 168 fps ProRes 4:4:4 12-Bit: 2048 x 1080 up to 60 fps 1920 x 1080 up to 60 fps|
|Video Connectors||2 x BNC Monitor Output4 x BNC (SDI) Output1 x HDMI Output|
|Other I/O||1 x RJ45 LAN|
|Audio Connectors||1 x 1/8" (3.5 mm) Stereo Mic Level Input2 x 3-Pin XLR Input|
|ISO||160 to 25,600 (Native)100 to 102,400 (Expanded)|
|Advertised Dynamic Range||15 Stops|
|Image Sensor Size||38.1 x 20.1 mm (Full-Frame)|
|Effective Sensor Resolution||5952 x 3140 (18.69 MP)|
|Sensor Resolution||6062 x 3432 (20.8 MP)|
|Shutter Type||Not Specified by Manufacturer|
|Weight||7.6 lb / 3.45 kg|
|Tripod Mounting Thread||Not Specified by Manufacturer|
|Dimensions||6.6 x 6.1 x 12.9" / 16.76 x 15.49 x 32.77 cm|
|Raw Output||External Recorder: 5952 x 3140 12-Bit 5952 x 2532 12-Bit 4096 x 2160 12-Bit 5952 x 3140 10-Bit 5952 x 2532 10-Bit 4096 x 2160 10-Bit 2048 x 1080 10-Bit|
|IP Streaming||MP4: 720 x 480 to 1920 x 1080 at 29.97p, 59.94i (1.5 to 9.0 Mb/s)|
|Built-In Microphone Type||Mono|
|Recording Media||2 x CFast 2.0 Card Slots1 x SD (Unspecified Type) Card Slot|
|Lens Mount||EF Cinema|
|Built-In ND Filter||Mechanical Filter Wheel with 2 Stop (1/4), 4 Stop (1/16), 6 Stop (1/64) ND Filters|
Rented it during one week to shoot a feature film. This camera is just excellent it is solid, robust and allow filmmakers to have a great workflow. The viewfinder allows you to see the tiniest detail of your image ! You can even shoot anamorphic which is a real advantage.
For heavy Canon 'glass' owners -- particularly fast AF glass -- this is a go-to rental 'high-end' machine... For lower-staffed productions the ability to get RELIABLE smooth 'focus-pulling' with the DPAF using your own EF lens, cannot be understated (think of time saved in measuring and rehearsing...
Put to the test, we had 6 of these cameras put to the test in a semi reality show situation. Great for hand held, jibs, stedi cams, club/bands and more.
Specs are solid and canon digital tech is very systematic and in house. The position in to large format camera has to be made on differenciator with 100 years of monopoly. Canon placed it in a well capable manner.
The legacy mount means that you have to stick to lenses that have the legacy flange depth clearance of a mirror system. Why does Canon persist with this in a mirrorless era?