Canon Cinema EOS C200 with Prime Lens Bundle (EF Mount)

Officially announced a few days before the kickoff of the Cinegear Expo held in Los Angeles in early June, the C200 is a brand new entry into the Canon EOS line of cameras.

Raw – Linear PCM 16-bit 48 kHz 4-ch, MP4- MPEG-4 AAC-LC 16-bit 48 kHz 2-channel, Linear PCM 16-bit 48 kHz 4-ch

New camera offers a truly impressive list of specs, inside an extremely portable form factor, with packages available for around $6,000.

I love this camera. If you spend the time to learn the camera's abilities inside and out you will get great results. This camera really complements and works well in concert with Canon's other EOS C cameras including the C700.recommendations: Expose using 18% grey card.

So much about this camera is right. The color science, the auto focus and Canon build quality. However, what we need is a 4.2..2 10 bit codec and the ability to output both this codec and the 4k 60 raw output to an external recorder. A single cFast slot is not a practical or affordable workflow.

I believe this to be a great jump from a dslr . Everything I need in one . No more external components and crazy Micky mouse rigs.Make sure to get cage and case! Going back to canon was a smart choice. I forgot how much better color grading was , on a canon. Quality sharp images on budget lenses .

I've enjoyed several brands of cameras as DSLR video emerged on the field, but found a real love of the C100 MkII - it was very compatible with our workflow and made event-recording so much easier.The C200 provides a natural evolution for our team -- the Dual Pixel Autofocus is game-changing.

I'm coming from a series of Blackmagic Design cine cameras which can all produce a great image once you learn to work with them, but I needed a more practical camera for some of my corporate work which didn't require focus pulling and as large a rig build-out as the pocket cinema cameras.

Excellent shooting capabilities. The face detection / auto focus have made my life easier. My favorite feature by far. I would however like to see a 10 Bit codec some time in the future. A nice mid range codec. I can't shoot in raw at the moment, it's too expensive! Please Canon, make it happen.

A camera for RAW data, for professional advertising, fashion and indie films like B Camera for ARRI Alexa mini.I bought a camera recently and Im shocked!This is a very comfortable camera if you work alone or with an assistant. I only remove the Canon RAW lite. This is exactly what I was expecting.

I bought this camera believing that the gap raw to 8 bits 4:2:0 was going covered with a 2018 with a 10 bits 4:2:2 firmware ,but nothing so far, a bit disappointed but hopeful I stay with Canon but Canon also must want to stay with me.

I always see a ton of people complaining about the lack of 10-bit... but it HAS 10-bit and even 12-bit if you want to record to C-fast cards (which are cheap compared to RED media). However, we use the 4K 24P and 60P settings in 8-bit all day, every day. Straight to SD cards, which are cheap.

I love this camera. I really do. It fits well between the C100 Mark II and the C300 Mark II. I really wish that they added more codecs to shoot internally like the C300 Mark II. No 10 bit internal is a killer for sure.