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|Input Channels||32 input channels, 8 aux channels, 8 fx return channels|
|Effects Engine||8 x true stereo
16 x mono
|Scene File Memory||100 recall scenes, including preamp and fader settings|
|Bit Depth||40-bit floating point|
|Audio Converters||24-bit @ 44.1/48 kHz, 114 dB dynamic range|
|I/O Delay||0.8 mS, input to output console latency
1.1 mS, stagebox in -> console -> stagebox out network latency
|Power Supply||Switch-mode autorange 100 to 240V (50/60 Hz)|
+4 dBu, nominal
+21 dBu, maximum
|Cross Talk||100 dB rejection @ 1 kHz, adjacent channels|
|Frequency Range||10 Hz to 22 kHz @ 48 kHz sample rate, 0 dB to -1 dB|
|Dynamic Range||Analog: 106 dB, typical
A/D: 109 dB, typical
D/A: 108 dB
|Residual Noise||-87 dBu A-weighted|
|Headphone Output Impedance||40Ω|
|Headphone Output Level||+25 dBm (stereo)|
|Output Impedance||1/4" TRS:
300Ω balanced, 150Ω unbalanced
|Nominal Output Level||1/4" TRS:
|Maximum Input Level||1/4" TRS:
+16 dBu without clipping
|Input Impedance||1/4" TRS:
40kΩ balanced, 20kΩ unbalanced
|Equivalent Input Noise||-128 dBu (input shorted)|
|THD + Noise|
|Input Impedances||5kΩ unbalanced
|Maximum Input Level||+23 dBu without clipping|
|Phantom Power||+48V, switchable per channel|
|CMRR||> 70 dB @ 20 dB gain (typical)
> 80 dB @ 40 dB gain
|Screens||Main screen: 7", 800 x 480, 262k color TFT
Channel LCD screen: 128 x 64, LCD with RGB color backlight
|Metering||24-segment (-57 dB to clip)|
|Dimensions (W x D x H)||35.4 x 20.8 x 7.9" (900 x 528 x 200 mm) without road case|
|Weight||45.4 lb (20.6 kg) without road case|
|P-16 Connector||1 x Ultranet (no power supplied)|
|Expansion Port||1 x 32-channel I/O card, various standards available|
|AES50 Ports||2 x SuperMAC|
|AES/EBU Audio Output||1 x XLR digital|
|Headphone Outputs||2 x 1/4" TRS stereo|
|Monitor Outputs||2 x XLR
2 x 1/4" TRS balanced
|Line Outputs||16 x XLR|
|RCA||2 x input (1 x L/R)
2 x output (1 x L/R)
|Talkback Mic Input||1 x XLR|
|USB Ports||1 x USB type A - audio and data export/import
1 x USB type B - for remote control
|Ethernet Connector||1 x RJ45 - for remote control|
|Mic Preamps||32 x XLR inputs, programmable mic preamps|
|AUX Inputs||6 x 1/4" TRS balanced|
|AUX Outputs||6 x 1/4" TRS balanced|
|MIDI In/Out||1 x MIDI In
1 x MIDI Out
The X32 Compact takes the heart of Behringer's flagship console and crams it into a cheaper, smaller package. We put it to the test.
Though we realize that taking this digital mixer board to full functionality is a steep learning curve, every step we've taken towards the goal has been very rewarding.
I've been working with this for about a year now after using a 16 channel Presonus for a few years. This was a massive upgrade. The options, the capabilities, the routing... it's amazing what you can do for the price point. The sound is incredibly clean and tight.
We bought first X32 and has been great. We purchased a second one and it is not so great. One of the channel AN display quite. Running sound for a gig last night and sound check went fine.
The touring case is well built and will be great preventing storage damage for us. The mixer has provided a huge improvement in sound quality, and has not been too difficult to learn. I appreciate the compact form of this X-32, but I would love the full size if I could afford the space.
I love this mixer. It's my first digital mixer. I love all the effects I can have per channel. The biggest plus is that I can use my phone to remotely mix the council.
I was a bit worries to go from a full Mackie 16 channel board to this unit. I like the way I can route things all over with such ease. I don't need to have a rack of effects now, set up is fast.
I like that you have a full mixer in a compact size plus you can fully control it using the iPad. The audio quality is clean and have been using Mackie mixers for years. I am happy with the purchase and looking forward to a long life with this new Mixer.
3U mixer with all the processing you expect. Buttons are responsive and so are the encoder knobs. Built solid.
I was pretty sceptical about buying a Behringer mixer but the reviews said this was exactly what I wanted and they were right. I use this in a cover band that mixes ourselves. Using the iPad app to walk out and hear from an audience perspective is awesome.
Upgrade for me from X Air 18 and wow what a massive increase in capability. With no signal, dead quiet even with volume cranked, between clips from D.A.W. absolute silence. I'm still exploring all the fx available but the quality of those I have tried is amazing.