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|Box Dimensions (LxWxH)||19.5 x 4.6 x 2.4"|
|Package Weight||1.65 lb|
|Frequency Range||20 Hz to 20 kHz|
|Signal to Noise Ratio||81 dB|
|Equivalent Noise Level||13 dB|
|Maximum SPL||141 dB SPL 1%151 dB SPL 1% with 10 dB Pad Engaged|
|Sensitivity||-29 dB, re: 1 V/Pa|
|Power Requirements||48 V+/- 4.8 V|
|Operating Principle||Line Gradient|
|Pad||Yes, 10 dB|
|Output Connectors||3-Pin XLR|
|Operating Current Consumption||4.8mA|
|Dynamic Range||128 dB|
|Low-Cut Filter||Yes, 12 @ 80 Hz|
|Weight||3.49 oz (99 g)|
|Diameter||0.83" (21 mm)|
|Length||9.17" (233 mm)|
My first shock mount, so I don't have anything to reference it to. Bought this to hold my new Sennheiser shotgun microphone. The elastic bands accommodate different diameter microphones and are detachable for people that prefer to leave the bands on the microphone instead of having to reinsert it...
It mounts on the top shoe and does a great job! I use it with the MK-600
I bought six of these. They work well but if used for any length of time they will not last. I've had to contact Auray at least 5 different times in the last two months to get replacement parts under warranty. The screws don't hold up, the holes get stripped out.
I capture a lot of sounds with a boom pole fully extended. Mostly of athletes breathing while running or cycling and I go along with them. From the bounce all of the screws came loose and I kept tightening them until the whole thing fell apart.
I like this shock mount - easy peasy to set up- no struggles shoving the mic through the holes of the mount. and it works---yea!-- I don't understand the complaining with these type of shock mounts.
It's fine, it does what it's supposed to do. Just a cheaply built shock mount.
I bought this universal shock mount for a RODE NTG2. It fits very snug, almost too snug where it's somewhat of a pain to mount it and unmount it. For the most part it gets the job done, and prevents most if not all the small vibrations of the mic falling short only for massive jerks by an operator.
I use the EOS 70D primarily for producing video content for guitar instructional websites. Coming from a Vixia HF S20 this was a HUGE leap in video quality as well as ease of use. With the right lighting my videos look exponentially better. Should have done this long ago.
Purchased 2 and both had the piece that attached it to the boompole break off immediately....poor quality
This product fit perfectly with MKE-600 short gun microphone and it is easy to install. It is much more stable than oraginal shock mount and reduce the noise caused by the movement of the camera effectively.