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Dennis Chambers challenged Zildjian to recreate the "ridiculously trashy sound" of a crash cymbal he had found on a trip to China. The result is the Oriental Crash of Doom, a truly one-of-a-kind monster crash that's ultra-trashy and very dark and low-pitched. Features an immediate, explosive attack and a tremendous, broad, full-bodied sustain. An exceptionally exotic sound for special accents and effects.
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