Venus optics Laowa 15mm f/2 FE Zero-D Lens for Canon RF

The Laowa 15mm f/2 Zero-D is a fantastic optic, offering an ultra wide-angle lens with a fast f/2 aperture and an affordable price – making it a bit of a unicorn lens for architectural and landscape photographers.

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  Fast f/2 aperture, Aperture de-click switch, Remarkable distortion control

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  No electronic contacts, Not weather sealed

The Venus Optics Laowa 15mm f/2 Zero-D is an ultra-wide lens with an especially bright aperture and almost no barrel distortion.

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  Manual focus not for everyone., Heavy vignette., A little soft at wide aperture., No stabilization or electronic communication., Hood fits a bit loose., Pentagonal bokeh highlights.

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  Ultra-wide angle of view., Eliminates barrel distortion., Declickable aperture control., Front filter support., Fluorine lens coat., Minimal focus breathing., Full-frame coverage., Available for multiple systems.

Laowa is one of the many small manufacturers that emerged over the recent years. By today, they've established themselves as China's most significant player albeit they still got some distance to go until they reach the global mainstream.

The coronavirus crisis has been adversely affecting many businesses and, sad but true, ours is not an exception. Despite that difficult situation we would like to preserve continuity and high quality of publications available on all our websites.

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  solid, metal casing, small for the parameters of the lens,, possibility of using classic filters,, good image quality in frame centre,, negligible longitudinal chromatic aberration,, slight lateral chromatic aberration,, distortion lower than in the case of rivals.

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  weak image quality on the edge of the frame,, noticeable spherical aberration,, huge vignetting, visible even on significant stopping down of aperture,, very distinct coma,, too narrow working range of the manual focus ring.

Laowa continues to release new, exciting lens designs, this time offering an ultra-wide 15mm lens for Sony full frame mirrorless cameras, but with the added bonus of a staggeringly fast f/2 aperture.

My earlier review was titled Iceland Lens of Choice. Now that's it's springtime and wildflower season I'm having fun with the close focus capability of this lens. Can compose photos showing both detail of a small flower and its habitat and background.

Upgraded my kit from Sony Nex-7 and a6500 to the marvelous a7iii. For UW had been shooting the aps-c format Sony 10-18 f4 and Samyang 12mm f2. For the a7iii first I tried a Tokina Firin MF. It was decentered. Replacement Firin was better, yet corners were unacceptably blurred at all apertures.

Ive been shooting with a Tokina 11-16 for the past 4 years which was a perfect lens (only for mft so became ~18-27, now I need to buy new lenses for my a7riii).I was expecting the zero-d to mean no distortion, while it doesnt show pincushioning etc, any room is crazily distorted due to the...

just never fails to create great shots. Theres something there thats difficult to articulate but its definitely there. Im one of those who really likes being down there in the ultra wide world and this is by far my favorite.

Debated a long time between this the Zeiss batis 18mm to round out my other batis primes. The trade offs in price, wider aperture, low distortion and closer minimum focus distance won me over.

I purchased this lens to replace my Sony 12-24 f/4 because that lens was just not quite fast enough for my needs which generally includes a lot of night photography. The lens has acceptable levels of coma, which is really important to me. It is also very easy to use and handle.

Disclaimer: I am not a pixel peeper. New to the A7iii scene, I was not sure how to activate the Focus Magnifier, so my first few test shot was just trying to focus using the LCD screen, and focus peaking. No matter, the picture came out sharp (to my satisfaction) anyway.